Tag: 2025
-
Rosario: A Case Where Curiosity Conjured a Catastrophe

With some films, everything is predictable. The films seem to be written to be predictable, so much so that they lack any resonance or materialism. This seems to be the case with the 2025 horror film “Rosario.” ” A film with a pulse but not a heartbeat. A Premonitory Meeting This is the story of…
-
The Art of Withholding: A Closer Look at Bugonia’s Subtle Emotional Resolution

Some films beckon critics by virtue of their positioning within awards season. Their acclaim alone becomes an invitation—an analyst’s cue to assess not only the individual work but also the broader temperature of the industry: what resonates, what falters, and what signals evolving tastes. That impulse informed my decision to engage with the 2025 feature…
-
A Humanized Farewell: How Last Rites Reframes the Conjuring Series”

Sometimes the only way to understand unfamiliar terrain is to walk it yourself. Despite the mixed reactions surrounding The Conjuring: Last Rites, I chose to experience the film firsthand—partly because of my long-standing appreciation for the franchise, and partly because this installment was positioned as the closing chapter of a story I had followed for…
-
“In Defense of the Unfinished: The Artistic Merit of It Ends”

Not all films adhere to conventional storytelling or move at a familiar pace. Some deliberately reject formulas, choosing instead to linger in ambiguity. These films resonate not because of a tightly constructed plot, but because they provoke emotion and thought that hold our attention long after the screen goes dark. “It Ends” (2025), a horror,…
-
The Black Phone 2 and Narrative Dots

A franchise is a story told in multiple installments, and the stronger the interconnectedness between those parts, the more cohesive the franchise becomes. Ideally, viewers should be able to connect the narrative dots without excessive effort. Some franchises achieve this balance exceptionally well. “The Black Phone” series offers a recent and effective example of a…
-
Jurassic World Rebirth: Can a Franchise Be “Reborn” By Repeating Its Past?

A film is, at its core, a story told through striking images—a medium designed to captivate, to pull viewers in and keep them hooked. Some movies master this art, some nearly reach it, and others fall short. The classic question at the end of any screening—“were you not entertained?”—often overshadows minor flaws, prompting audiences to…
-
She Never Came Back: The Narrative Void of Bring Her Back

This film was introduced to me as one of the standout horror releases of 2025. Claims of that magnitude are typically met with measured skepticism rather than immediate excitement. Still, there is value in examining what broader audiences are embracing as exemplary at any given cultural moment. With that in mind, “Bring Her Back” earned…
-
H.I.M.: Football, Faith, and the Dark Rituals of American Greatness

Films are made for many reasons, and not all of those reasons will resonate with every viewer. One such film that has been heavily critiqued—and in some circles outright dismissed—is Monkeypaw Productions’ 2025 release “H.I.M.,” starring Marlon Wayans. “H.I.M.” arrived with significant anticipation, largely because it carried Jordan Peele’s imprint. While the film was produced…
-
The Running Man (2025) and the Case for Critical Reassessment

Not every feature deemed a creative misfire by a cluster of critics is inherently irredeemable. Some works must be assessed on an individual basis and weighed in balance between audience response and critical perspective. “The Running Man” is one such film. I approached “The Running Man” with a healthy degree of skepticism, and for several…
-
More Than Monstrous: Guillermo Del Toro’s Frankenstein is a Hauntingly Beautiful Triumph

There is nothing quite like a classic—especially when it is realized on the big screen with care and reverence. The true delight lies in seeing a beloved literary work rendered faithfully, in a way that honors the images and emotions long cultivated in the reader’s imagination. Adaptations are always a gamble, but when they succeed,…